About China And Chinese
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Monday, February 22, 2010
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China is an ancient civilization located in a cultural region and, depending on perspective, a national or multinational entity[citation needed] extending over a large area in East Asia.
In 1949, when major combat ended in the Chinese Civil War, two political entities emerged having the term "China" in their names:
The People's Republic of China (PRC), established in 1949, commonly known as China, has control over mainland China and the largely self-governing territories of Hong Kong (since 1997) and Macau (since 1999).
The Republic of China (ROC) established in 1911 on mainland China, now commonly known as Taiwan, has control over the islands of Taiwan, Penghu, Kinmen, and Matsu.
China is one of the world's oldest continuous civilization and for most of the last two millennia was one of the largest and most advanced civilizations in the world, until the 1850s when it missed the industrial revolution. Subsequently, imperialism, wars and civil wars damaged the country and its economy up to the end of the civil war in 1949. In the 1950s, change to economic policies in the Republic of China (Taiwan) transformed the island into a technology-oriented industrialized developed economy. It became known as one of the Four Asian Tigers along with Hong Kong, South Korea and Singapore. In mainland China, in the 1970s, reforms known as the Four Modernizations modernized the agriculture, industry, technology and defense, eventually making the PRC one of the major powers. China is viewed as the source of many major inventions. It has also one of the world's oldest written language systems.Historically, China's cultural sphere has extended across East Asia as a whole, with Chinese religion, customs, and writing systems being adopted to varying degrees by neighbors such as Japan, Korea and Vietnam. The first evidence of human presence in the region was found at the Zhoukoudian cave. It is one of the first known specimens of Homo erectus, now commonly known as the Peking Man, estimated to have lived from 300,000 to 780,000 years ago.
CultureConfucianism was the official philosophy throughout most of Imperial China's history, and mastery of Confucian texts was the primary criterion for entry into the imperial bureaucracy. China's traditional values were derived from various versions of Confucianism. A number of more authoritarian strains of thought have also been influential, such as Legalism.
There was often conflict between the philosophies, e.g. the Song Dynasty Neo-Confucians believed Legalism departed from the original spirit of Confucianism. Examinations and a culture of merit remain greatly valued in China today. In recent years, a number of New Confucians (not to be confused with Neo-Confucianism) have advocated that democratic ideals and human rights are quite compatible with traditional Confucian "Asian values".
With the rise of Western economic and military power beginning in the mid-19th century, non-Chinese systems of social and political organization gained adherents in China. Some of these would-be reformers totally rejected China's cultural legacy, while others sought to combine the strengths of Chinese and Western cultures. In essence, the history of 20th-century China is one of experimentation with new systems of social, political, and economic organization that would allow for the reintegration of the nation in the wake of dynastic collapse.
Chinese characters have had many variants and styles throughout Chinese history. Tens of thousands of ancient written documents are still extant, from oracle bones to Qing edicts. This literary emphasis affected the general perception of cultural refinement in China, e.g. the view that calligraphy was a higher art form than painting or drama. Manuscripts of the Classics and religious texts (mainly Confucian, Taoist, and Buddhist) were handwritten by ink brush.
Calligraphy later became commercialized, and works by famous artists became prized possessions. Chinese literature has a long past; the earliest classic work in Chinese, the I Ching or "Book of Changes" dates to around 1000 BC. A flourishing of philosophy during the Warring States Period produced such noteworthy works as Confucius's Analects and Laozi's Tao Te Ching. (See also: the Chinese classics.) Dynastic histories were often written, beginning with Sima Qian's seminal Records of the Historian, which was written from 109 BC to 91 BC.
The Tang Dynasty witnessed a poetic flowering, while the Four Great Classical Novels of Chinese literature were written during the Ming and Qing Dynasties. Printmaking in the form of movable type was developed during the Song Dynasty. Academies of scholars sponsored by the empire were formed to comment on the classics in both printed and handwritten form. Royalty frequently participated in these discussions as well.
The Song Dynasty was also a period of great scientific literature, and saw the creation of works such as Su Song's Xin Yixiang Fayao and Shen Kuo's Dream Pool Essays. There were also enormous works of historiography and large encyclopedias, such as Sima Guang's Zizhi Tongjian of 1084 AD or the Four Great Books of Song fully compiled and edited by the 11th century.
For centuries, religious and social advancement in China could be achieved through high performance on the imperial examinations. This led to the creation of a meritocracy, although success was available only to males who could afford test preparation. Imperial examinations required applicants to write essays and demonstrate mastery of the Confucian classics. Those who passed the highest level of the exam became elite scholar-officials known as jinshi, a highly esteemed socio-economic position.
Chinese philosophers, writers and poets were highly respected and played key roles in preserving and promoting the culture of the empire. Some classical scholars, however, were noted for their daring depictions of the lives of the common people, often to the displeasure of authorities.The Chinese invented numerous musical instruments, such as the zheng (zither with movable bridges), qin (bridgeless zither), sheng (free reed mouth organ), and xiao (vertical flute) and adopted and developed others such the erhu (alto fiddle or bowed lute) and pipa (pear-shaped plucked lute), many of which later spread throughout East Asia and Southeast Asia, particularly to Japan, Korea, and Vietnam.
There was often conflict between the philosophies, e.g. the Song Dynasty Neo-Confucians believed Legalism departed from the original spirit of Confucianism. Examinations and a culture of merit remain greatly valued in China today. In recent years, a number of New Confucians (not to be confused with Neo-Confucianism) have advocated that democratic ideals and human rights are quite compatible with traditional Confucian "Asian values".
With the rise of Western economic and military power beginning in the mid-19th century, non-Chinese systems of social and political organization gained adherents in China. Some of these would-be reformers totally rejected China's cultural legacy, while others sought to combine the strengths of Chinese and Western cultures. In essence, the history of 20th-century China is one of experimentation with new systems of social, political, and economic organization that would allow for the reintegration of the nation in the wake of dynastic collapse.
Chinese characters have had many variants and styles throughout Chinese history. Tens of thousands of ancient written documents are still extant, from oracle bones to Qing edicts. This literary emphasis affected the general perception of cultural refinement in China, e.g. the view that calligraphy was a higher art form than painting or drama. Manuscripts of the Classics and religious texts (mainly Confucian, Taoist, and Buddhist) were handwritten by ink brush.
Calligraphy later became commercialized, and works by famous artists became prized possessions. Chinese literature has a long past; the earliest classic work in Chinese, the I Ching or "Book of Changes" dates to around 1000 BC. A flourishing of philosophy during the Warring States Period produced such noteworthy works as Confucius's Analects and Laozi's Tao Te Ching. (See also: the Chinese classics.) Dynastic histories were often written, beginning with Sima Qian's seminal Records of the Historian, which was written from 109 BC to 91 BC.
The Tang Dynasty witnessed a poetic flowering, while the Four Great Classical Novels of Chinese literature were written during the Ming and Qing Dynasties. Printmaking in the form of movable type was developed during the Song Dynasty. Academies of scholars sponsored by the empire were formed to comment on the classics in both printed and handwritten form. Royalty frequently participated in these discussions as well.
The Song Dynasty was also a period of great scientific literature, and saw the creation of works such as Su Song's Xin Yixiang Fayao and Shen Kuo's Dream Pool Essays. There were also enormous works of historiography and large encyclopedias, such as Sima Guang's Zizhi Tongjian of 1084 AD or the Four Great Books of Song fully compiled and edited by the 11th century.
For centuries, religious and social advancement in China could be achieved through high performance on the imperial examinations. This led to the creation of a meritocracy, although success was available only to males who could afford test preparation. Imperial examinations required applicants to write essays and demonstrate mastery of the Confucian classics. Those who passed the highest level of the exam became elite scholar-officials known as jinshi, a highly esteemed socio-economic position.
Chinese philosophers, writers and poets were highly respected and played key roles in preserving and promoting the culture of the empire. Some classical scholars, however, were noted for their daring depictions of the lives of the common people, often to the displeasure of authorities.The Chinese invented numerous musical instruments, such as the zheng (zither with movable bridges), qin (bridgeless zither), sheng (free reed mouth organ), and xiao (vertical flute) and adopted and developed others such the erhu (alto fiddle or bowed lute) and pipa (pear-shaped plucked lute), many of which later spread throughout East Asia and Southeast Asia, particularly to Japan, Korea, and Vietnam.
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